Sean Kelly Gallery

James Casebere, Candida Höfer, Alec Soth

James Casebere

represented by Sean Kelly Gallery

James Casebere was born in 1953, in East Lansing, Michigan. He attended Michigan State University and the Minneapolis College of Art and Design, from which he graduated in 1976 with a BFA. In the fall of 1977, he attended the Whitney Independent Study Program in New York and received an MFA from Cal Arts in 1979.

Casebere’s pioneering work has established him at the forefront of artists working with constructed photography. For the last thirty years, Casebere has devised increasingly complex models that are subsequently photographed in his studio. Based on architectural, art historical and cinematic sources, his table-sized constructions are made of simple materials, pared down to essential forms. Casebere’s abandoned spaces are hauntingly evocative and oftentimes suggestive of prior events, encouraging the viewer to reconstitute a narrative or symbolic reading of his work.

While earlier bodies of work focused on American mythologies such as the genre of the western and suburban home, in the early 1990s, Casebere turned his attention to institutional buildings. In more recent years, his subject matter focused on various institutional spaces and the relationship between social control, social structure and the mythologies that surround particular institutions, as well as the broader implications of dominant systems such as commerce, labour, religion and law.

In 2001, Sean Kelly gallery presented an exhibition that included works inspired by the indigenous architecture of the Caribbean Island of Nevis, traditional Japanese architecture and an imagined gallery space. This exhibition also featured a now well-known body of work inspired by Thomas Jefferson’s utopian Monticello. In the following years, he has continued to investigate a wide range of iconic architectural spaces, resulting in increasingly sophisticated layers of interpretation. Two photographs from his recent series, Landscape with Houses (Dutchess County, NY), were featured in the 2010 Whitney Biennial. In May of 2013, The New York Times Magazine commissioned Casebere to create a new work for their cover.

Casebere has been the recipient of numerous fellowships, including three from the National Endowment for the Arts, three from the New York Foundation for the Arts and one from the John Simon Guggenheim Memorial Foundation. His work is collected by museums worldwide, including the Whitney Museum of American Art, New York; the Solomon R. Guggenheim Museum, New York; the Metropolitan Museum of Art, New York; the Walker Art Center, Minneapolis; the Los Angeles Museum of Contemporary Art; the Los Angeles County Museum; and the Victoria and Albert Museum, London, England, among many others. In 2016, Casebere was a New York Foundation for the Arts Hall of Fame Honoree and the subject of important survey exhibitions: Fugitive at the Haus der Kunst in Munich, curated by Okwui Enwezor; Immersion at Espace Images Vevey in Switzerland; and After Scale Model: Dwelling in the Work of James Casebere, at the BOZAR/Centre for Fine Arts in Brussels, Belgium.

James Casebere lives and works in New York.

 

Candida Höfer

represented by Sean Kelly Gallery

Born in Eberswalde, Germany in 1944, Candida Höfer attended the Kunstakademie Düsseldorf from 1973 to 1982. Whilst there she studied film with the Danish filmmaker Ole John and photography under the influential photographers Bernd and Hilla Becher, who also taught noted Düsseldorf School photographers Andreas Gursky, Thomas Struth, Axel Hütte, and Thomas Ruff.

Known for her meticulously composed, large-scale colour images of architectural interiors, Höfer’s oeuvre explores the structure, presentation, and influence of space. Interested in the psychological impact of design and the contrast between a room’s intended and actual use, Höfer has focused her lens on cultural and institutional buildings such as libraries, hotels, museums, concert halls, and palaces. Whilst devoid of people, the images allow us to consider the role of their missing inhabitants. The large-scale nature of the work invites the viewer to linger over the architectural details and contemplate the subtle shifts in light that make up the character of the space.

On her decision to exclude people from her photographs, Höfer has said, “…it became apparent to me that what people do in these spaces – and what these spaces do to them – is clearer when no one is present, just as an absent guest is often the subject of a conversation.”

Höfer’s internationally recognized work has been shown in solo exhibitions at the Kunsthalle in Basel and Berne; the Museum Folkwang in Essen; the Louvre in Paris; the North Carolina Museum of Art; the Museo Amparo, Mexico; the Hermitage Museum, St. Petersburg, Russia;  the Irish Museum of Modern Art, Dublin; and the Kunstmuseum Luzerne, Switzerland. Her work has also appeared in group exhibitions at The Museum of Modern Art, New York; the Power Plant, Toronto; Kunsthaus Bregenz; Museum Ludwig, Cologne; the Guggenheim Museum, Bilbao; and Documenta XI, Kassel. Höfer represented Germany at the 2003 Venice Biennale. In 2018, the Sony World Photography Awards recognized Candida Höfer for her outstanding contribution to photography. Her photographs are in major public and private collections worldwide.

Candida Höfer lives and works in Cologne, Germany.

 

Alec Soth

represented by Sean Kelly Gallery

Alec Soth was born in 1969 in Minneapolis, Minnesota. He studied at Sarah Lawrence College in Bronxville, New York. Soth received international acclaim when his photographs were featured in numerous solo and group exhibitions, including the 2004 Whitney and São Paulo Biennials.

Soth’s photographic style has continued to develop in subsequent series beginning with his iconic Sleeping by the Mississippi, and including NIAGARA, The Last Days of W, and Broken Manual. Soth uses his large-format camera to photograph the people and landscapes of suburban and rural communities, often during road trips throughout the Midwest and the South.

Soth’s photographs have been featured in numerous solo and group exhibitions. In 2016, Soth’s Gathered Leaves, an exhibition bringing together his four-signature series – Sleeping by the Mississippi, Niagara, Broken Manual, and Songbook, travelled to numerous institutions, including The Finnish Museum of Photography in Helsinki. In 2008, a large survey exhibition of Soth’s work was exhibited at the Jeu de Paume in Paris, France and Fotomuseum Winterthur in Switzerland. In 2010, the Walker Art Center mounted a comprehensive exhibition with an accompanying catalogue entitled From Here To There, Alec Soth’s America. His first monograph, Sleeping by the Mississippi, was published by Steidl in 2004 to critical acclaim.  In 2008, Soth started his own publishing company, Little Brown Mushroom. Since then Soth has published NIAGARA (2006), Fashion Magazine (2007), Dog Days, Bogotá (2007), The Last Days of W (2008), Broken Manual (2010), Songbook (2015) and Gathered Leaves (2015), which brings together an essay by Aaron Schuman spread across 29 large format postcards, with mini facsimile versions of 4 of Soth’s previous books [3 of which are now out-of-print], all housed together in a luxurious printed and embossed clamshell box.

His work is in the permanent collections of numerous museums, including the Brooklyn Museum of Art; the Los Angeles County Museum of Art; the Museum of Contemporary Art, Chicago; the Museum of Fine Arts, Houston; the San Francisco Museum of Modern Art; the Walker Art Center, Minneapolis; and the Whitney Museum of American Art, New York, to name a few. Soth is also a member of Magnum Photos.

Soth lives and works in Minneapolis, Minnesota.

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